The Trio 6 Be is the latest active three-way speaker from Focal, the Trio6 has a 1” tweeter, a 5” woofer, and an 8” subwoofer. Yet, switching to FOCUS mode reconfigures Trio6 Be as two-way monitor. This feature essentially gives you the same kind of perspective as using two pairs of monitors.
The Trio6 Be was designed to meet the standards of the most demanding engineers. This dual monitor is the new reference in its price range owing to its extreme neutrality, its precise stereophonic imaging, and its ability to resolve the most minute sonic details, while its Class G amplifiers deliver SPL levels to suit all musical styles.
When utilised to its full potential, the Beryllium tweeter reaches up to 40kHz and the 8” subwoofer extends low frequencies down to 35Hz. This offers engineers complete control of the audio signal.
The 8” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms.
The 5"W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimising its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. The 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response.
When used as a two-way speaker, Trio6 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position.
The Mytek 192 DSD DAC & Preamp is a two channel DA converter intended for both audiophile playback and mastering / professional monitoring applications. The Mytek 192 DSD DAC can accept both analog and digital inputs making it also suitable as a control room preamplifier. The Mytek 192 DSD DAC also features firewire and USB connectivity allowing it to be connected directly to a PC or Mac computer. Other features include a stepped analog volume control for both main outputs and headphone output.
Building on the circuitry of the SmallDI, the Avenson Iso DI adds two optional isolation stages.
The main signal path is still a clean, wide bandwidth transformerless FET amplifier, but the power is generated with an isolated DC to DC converter so that you can have true ground isolation and still run the IsoDI on phantom power.
The IsoOut jack can be a buffered, transformer isolated output to feed amplifiers or other inputs that can compromise the performance of the main signal path if connected in parallel. Now there is a way to get a clean DI signal even when there is bad stage power that causes the amp to buzz from light dimmer hash!
The switchable IsoOut / Parallel jack give you the flexibility to configure the jack as a summed input, a parallel connected output, or a transformer isolated output.
All of this in a rugged palm sized aluminum extrusion that makes it easy to toss into your gig bag or pack into a road case.
The Kush Audio Clariphonic 500 is a single channel equalizer compatible with 500 series racks and consoles. Like its dual channel big brother, the Clariphonic 500 adds pristine analogue focus, detail, clarity and air to any sound, delivering a form of equalisation that is nearly holographic in effect and impossible to get wrong.
The Kush Clariphonic EQ is a fiendishly clever new approach to high frequency equalization, designed from the ground up with six parallel signal paths that produce the kind of air, clarity, and presence previously found only in very old, very expensive analog equalizers.
There is no limit to the types of sweet high end the Clariphonic 500 can produce. The internal parallel signal paths produce a form of additive-only high frequency equalization that is at once holographic, transparent, and virtually phaseless. You get effortless, natural high end for days.
The Cloud JRS-34P is a passive ribbon microphone that comes from RCA lineage and delivers a vintage style ribbon sound. Handcrafted entirely in the US, the JRS-34-P combines the best attributes of vintage and modern technologies to create a high-quality ribbon microphone ideally suited for music and voice. The JRS-34-P, like other passive ribbon microphones, requires a high-gain preamp or a Cloud Microphones Cloudlifter which is avaialble as an optional extra.
Designed in collaboration with Stephen Sank, the Cloud ribbon mics were given the model number prefix JRS in homage to the late Jon R. Sank, Stephen Sank’s father (1934-1998). Known for his work with RCA that produced legendary microphones such as the BK-11 and BK-10A, the senior Sank succeeded RCA’s Harry Olson as the guiding force behind the company’s continuing development of ribbon microphones.
Built upon the shoulders of giant RCA mics, each JRS-34p ribbon is cut, corrugated, and installed by hand in precisely the same fashion as the original RCA Mics. New ideas expand the performance capabilities as well, bringing the design into the 21st century with the addition of custom audio transformers by CineMag Inc, patented rounded magnet technology, internal spring mounted suspension, and more.
Included is a beautiful handcrafted wooden box and a microfiber mic cover, designed to properly store and clean the microphone.
The Vintech Audio 273 features two 1073 style microphone preamplifiers with "essential eq" on every channel. We call the high and low shelving eq adjustments "essential" because they really help to enhance certain instruments and impart a certain magic to the sound like a vintage Neve 1073.
Frequency choices are 3.2k and 12k for the highs and 60hz and 220hz on the low shelving but can be special ordered at other practical frequencies. Each channel also offers an input sensitivity adjustment allowing up to 70db of gain, an input impedance switch, a mic-line switch, an instrument input and switches for phantom power, phase reverse and eq on or off. The Vintech 273 also features a DI Instrument input on both channels.
The 273 like all Vintech products does contain any IC's or surface mount components, and is made in the USA.
The Vintech External PSU is required to power this unit.
The Great River ME-1NV (single channel mic preamp) greatly modernizes and improves classic British design. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products, with the ability to fine-tune gain effects like 1970's-era 1073's. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.
The Great River ME-1NV achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via FET through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A "big iron" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument.
The Great River NV Series construction quality is like a beautiful battleship, said one grizzled audio veteran.
The Wunder Audio CM7 FET Microphone is a faithfull re-creation of the U47 FET Mic, a phantom powered version of the U47 originally released in 1969. The circuit was quite desirable, using transistors creating a very robust sound. The Fet mic has since obtained a legendary status being the most preferred mic in obtaining larger-than-life Kick and Bass tracks as well as thick and full vocals. The U47 Fet is now becoming as sought after as the U47.
Employing the exact replica of the original grille is one of the key aspects of achieving the correct performance of this mic.
The CM7 Fet Package includes:
CM7 FET Microphone, K47 Dual Membrane Capsule, Plush Oak Microphone Box, Historic Shock-mount, and 1-year warranty.