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Audix
CX-112
The
CX-112 is a true condenser microphone with a contemporary design
and excellent performance characteristics. With a rich, full-bodied
sound delivered by its one-inch gold sputtered capsule, the CX-112
is a single-patterned cardioid condenser that serves both studio
and live performance applications. |
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Audix
SCX-25
The
SCX25 true condenser microphone will reproduce vocals and acoustic
instruments with exceptional carity and realism. It is suitable
for recording a variety of sounds including pianos, percussion,
choirs, orchestras & ambient sounds. Highly Recommended!! |
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Avenson
Audio STO-2 (Matched Pair)
The
STO-2 is a pressure transducer. So are your ears. No Coincidence.
Sold in matched pairs, (two ears right?) the STO-2's are perfect
for capturing an instruments natural sound without any artificial
flattery. With a matched pair, stereo is no problem - Jecklin
disk or spaced pair - it will sound like you are standing there.
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Brauner
Valvet
Like
the Brauner VM1 in 1998, the Valvet microphone won the SSAIRA
Awards in 1999, as the best product of its category. The Valvet
is switchable between omni and cardioid polar patterns.High resolution
of sonic detail, depth and warmth give the Valvet its pristine
quality. |
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Brauner
VM1
The
Brauner VM1 is a perfect sounding tube microphone that keeps the
spirit of the glorious old tube microphones alive, whilst complying
with the high technical standards of modern high-tech microphones
in the same way. Tradition and progress join up in this top of
the line Brauner product, which won the SSAIRA award in 1998 for
the best product in its category. Highly Recommended! |
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Brauner
VMX
The
Brauner VMX encapsulates the full character sound of the VMA in
a single microphone. The Brauner VMX yields the highest detail
resolution with a soft and silky top end. Slight accentuation
of the low mid and bottom end as well as a soft upper mid range
grant this reference quality tube microphone a unique sonic character
which is full of charm. |
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Brauner
VMA
The
Brauner VMA is two microphones in one. The classic VM1 mode (the
sound that made Brauner famous…) and a stunning vintage
sound, created after the best of the best famous old vintage tube
microphones. The VMA is changed through the position of the switch
and the tube as well as the capsule, get biased in a different
way. |
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DPA
4011 TL
The
DPA 4011 is a cardioid condenser microphone with a linear frequency
response from 40Hz to 20kHz (±2dB) and a totally flat off-axis
response. Highly Recommended! |
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DPA
4006 TL
The
DPA 4006TL omni directional condenser microphone has an extremely
linear frequency response, high sensitivity, low noise-floor and
an extended low frequency handling capability. Highly Recommended!
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DPA
4090
The
DPA 4090 is a omnidirectional condenser microphone of the highest
quality. Due to its uniquely natural and open sound, the 4090
is suitable for instrument miking applications in both the studio
or on the stage. |
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DPA
4091
The
DPA 4091 is very similar to 4090 but has a lower sensitivity making
it the better choice for recording instruments that produce higher
sound pressure levels. |
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Earthworks
M30 (Single)
The
Earthworks M30 is a omni directional microphone that records from
5Hz to 30 kHz +1/-3dB. The M30 is a very cost effective reference
microphone and delivers a very clean sound with a fast impulse
response. |
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Earthworks
QTC30 (Single)
The
QTC30 has a frequency response to 30kHz and excellent impulse
response, it will reproduce sounds with incredible detail that
are true and life-like, making it an ideal and affordable choice
for recording applications. |
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Earthworks
QTC40 (Single)
The
Quiet Time Coherent QTC40 has been called “the most accurate
recording microphone available.” For classical location
recording a matched pair will provide spectacular results. Highly
Recommended!! |
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Earthworks
QTC50 (Single)
The
QTC50 has all of the exceptional attributes of the Earthworks
QTC1 (same as QTC40). The QTC50 has an extended high frequency
response to 50kHz and better impulse response. This is for the
purist who wants something better than a QTC40. Highly Recommended!! |
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Earthworks
SR30/HC (Single)
The
SR30 HC (same as SR78) offers exceptional directional performance
for guitar, sax, flute, drums, bass, and vocals. It can pick an
acoustic instrument, like a guitar, out of an ensemble while still
sounding detailed. |
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Earthworks
QTC30 MP (Matched Pair)
The
QTC30 has a frequency response to 30kHz and excellent impulse
response, it will reproduce sounds with incredible detail that
are true and life-like, making it an ideal and affordable choice
for recording applications. |
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inc VAT
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Earthworks
QTC40 MP (Matched Pair)
The
Quiet Time Coherent QTC40 has been called “the most accurate
recording microphone available.” For classical location
recording a matched pair will provide spectacular results. Highly
Recommended!! |
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inc VAT
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Earthworks
QTC50 MP (Matched Pair)
The
QTC50 has all of the exceptional attributes of the Earthworks
QTC1 (same as QTC40). The QTC50 has an extended high frequency
response to 50kHz and better impulse response. This is for the
purist who wants something better than a QTC40. |
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inc VAT
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Earthworks
SR30/HC MP (Matched Pair)
The
SR30 HC (same as SR78) offers exceptional directional performance
for guitar, sax, flute, drums, bass, and vocals. It can pick an
acoustic instrument, like a guitar, out of an ensemble while still
sounding detailed. |
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inc VAT
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Earthworks
DK25/L
The
DK25/L is for "Live Performance" and has three SR25s:
two for overheads and one for kick drum; a KickPad™ and
a windscreen. The patented cardioid pattern on the SR25 provides
a more uniform off-axis response and less susceptibility to acoustic
feedback. Both versions come in a solid wood carrying case. |
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Earthworks
DK25/R
This
microphone kit has been designed for recording applications. The
TC25 omni has a frequency response of 9Hz to 25kHz and the SR25
cardioid response is 50Hz to 25kHz. Both models will handle up
to 145dB SPL. These DrumKit™ microphones will also provide
stunning results on a wide variety of instruments and vocals.
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Lewitt
LCT
240
The
Lewitt LCT 240 2/3-inch diaphragm condenser microphone is a multi-purpose
mic that sets new benchmarks in terms of performance and value
for money. The LCT 240 is equipped with a high-performance back-electret
capsule delivering a warm natural sound. With very low self-noise
and wide dynamic range. |
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Lewitt
LCT 340 (Cardiod & Omni Capsules)
The
Lewitt LCT 340 is a 0.8 inch polarized condenser microphone with
interchangeable capsules. Applications include: acoustic and percussion
instruments, drums and vocals. Suitable for both live, and studio
recording, A/B and X/Y Stereo miking. |
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Lewitt
LCT 540
The
Lewitt LCT 540 condenser microphone with a dynamic range of 135
dB and an extremely low self-noic of 8 dB. The LCT 540 is from
the Aunthetica range, and combines pro-quality features and specifications
which make it a studio favourite among audio engineers and professional
musicians. |
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Lewitt
LCT 640
The
Lewitt LCT 640 delivers a smooth, rich sound, and excels in a
variety of demanding studio applications including; lead and background
vocals, drums, percussion instruments, grand pianos, brass and
woodwinds, and classical music ensembles. |
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Lewitt
LCT 840
The
Lewitt LCT 840 reference class tube microphone is a premium-class
externally polarized dual-diaphragm mic, providing professional
sound engineers or performers looking for vintage, warm and classic
authentic tube sound. |
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Manley
Reference
The
Manley Reference Cardoid Microphone shares the same electronic
attributes as the Gold Reference Series, but has a cardioid-only
capsule with a thicker gauge. The Reference Cardioid closely recalls
how many vintage mics like the U47 sounded like when they were
new. |
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Manley
Gold Reference
The
Gold Reference microphone is made using micro-milling machinery.
The capsule rings and back-plates are milled from solid brass.
The gold diaphragm film is tensioned using proprietary techniques
by David Josephson ensuring capsule-to-capsule constancy. |
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Manley
Gold Reference Stereo
The
STEREO version of the Manley GOLD REFERENCE microphone is identical
to the MONO GOLD REFERENCE but with the upper capsule being fixed
and the lower capsule being continuously ROTATABLE through 90°
for M-S and X-Y BLUMLEIN-STYLE coincident pair recording techniques.
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Microtech
Gefell M 990
The
M990 is a cardioid condenser microphone with high sensitivity
and an excellent signal-to-noise ratio. It combines a large diaphragm
capsule technology with the typical warm sound of classic tube
microphones. |
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Microtech
Gefell M 92.1 S
The
M92.1 S is a cardiod condenser valve microphone that exhibits
high sensitivity and with that an excellent signal-to-noise ratio.
lt has the warm full sound of tube microphones which is preferred
by singers & engineers. |
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Microtech
Gefell UM 92.1 S
The
UM92.1 S valve condenser microphone has 3 switchable pollar patterns:
omni, cardioid and fig-8. This microphone features the clasic
M 7 capsule which is renowned for its superior sound quality &
low self noise. |
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Microtech
Gefell UM 900
The
UM900 is a switchable pattern, valve condenser microphone that
produces the highest quality ressults. The unusual shape is especially
designed to minimize undesirable reflections, the integrated elastic
suspension can also be swiveled 135 degrees both sides.
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Microtech
Gefell M300
The
Microtech Gefell M300 is an exciting new microphone that combines
the natural sound and detail of a gold evaporated 16mm diaphragm
with ‘space-age’ advancements in mechanical and circuit
design. |
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Microtech
Gefell M300 - Matched Pair
The
Microtech Gefell M300 is an exciting new microphone that combines
the natural sound and detail of a gold evaporated 16mm diaphragm
with ‘space-age’ advancements in mechanical and circuit
design. |
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Neumann
M 147
The
M147 Tube is a vacuum tube condenser microphone with cardioid
characteristic. At the heart of this microphone is the K 47 dual
diaphragm capsule, inherited from this model's now legendary predecessors,
the U 47 & M 49. |
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Neumann
M 149
The
M149 Tube is a variable dual-diaphragm microphone. In contrast
to earlier concepts – utilizing a transformer – the
tube is complemented with a transformerless output circuit design.
The M 149 Tube can thus feed long cables without any coloration. |
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Neumann
M150
Since
the 1950s, the Neumann M 50 has been heralded as the ideal microphone
for orchestral recording and string scoring. With its phenomenal
transient response and directional characteristics. |
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Neumann
TLM 103
The
TLM103 is a large diaphragm microphone that has a cardioid polar
pattern. This design is acoustically well-balanced and provides
extraordinary attenuation of signals from the rear. A very good
choice for the discerning engineer requires high quality on a
low budget.
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Neumann
TLM 193
The
TLM193 is a large diaphragm microphone with a cardioid polar pattern.
With this microphone Neumann continues its long tradition, and
is offering high end technology at an affordable price for musicians
and the home recording studio. |
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Neumann
TLM67
The
Neumann TLM 67 is a large-diaphragm condenser microphone in the
classic Neumann nickel style, with a unique dual-color design.
The Neumann TLM 67 is suitable for a wide range of applications.
In addition to its primary role as a vocal microphone |
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Neumann
U87
The
U 87 is probably the best known and most widely used Neumann studio
microphone. It is equipped with a large dual-diaphragm capsule
with three directional patterns: omnidirectional, cardioid and
figure-8. These are selectable with a switch below the headgrille.
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Neumann
U89 i
The
U 89 is a studio microphone for universal applications. The headgrille
protects a dual-diaphragm capsule. A rotary switch below the headgrille
selects from five different polar patterns. Therefore the microphone
can be adapted easily to large sound sources, and those that are
spread wide apart, or to sound sources to be recorded at a greater
distance. |
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Neumann
USM 69 i
The
USM 69 i stereo microphone has two separate dual-diaphragm capsules.
. The directional polar patterns can be selected separately for
each capsule. The capsules operate independently from each other.
One of the best stereo microphones available on the market. |
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Neumann
KM183
The
Neumann KM 183 is a small diaphram omni directional microphone,
which has become a standard within the global studio community
in just a very short time. All "Series 180" microphones
are available with either matte black or nickel finish. |
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Neumann
KM184
The
Neumann KM 184 is a small diaphram cardioid microphone, which
has become a standard within the global studio community in just
a very short time. All "Series 180" microphones are
available with either matte black or nickel finish. |
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Neumann
KM183 (Matched Pair)
The
Neumann KM 183 is a small diaphram omni directional microphone,
which has become a standard within the global studio community
in just a very short time. All "Series 180" microphones
are available with either matte black or nickel finish. |
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inc VAT
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Neumann
KM184 (Matched Pair)
The
Neumann KM 184 is a small diaphram cardioid microphone, which
has become a standard within the global studio community in just
a very short time. All "Series 180" microphones are
available with either matte black or nickel finish. |
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inc VAT
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Wunder
Audio CM67
The
Wunder Audio CM67 is a multi pattern, large-diaphragm condenser
microphone with a classic tube-and transformer topology. The CM67
uses a K67 capsule, and vintage Telefunken EF86 valve and authentically
replicates the sound of classic recordings from the past. |
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inc VAT
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Wunder
Audio CM7-FET
The
Wunder CM7-FET is a faithfull recreation of the much sought after
phantom powered version of the original U47 known as the U47 Fet,
which has over the years obtained legendary status amongst recording
engineers since its original release in 1969. |
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Wunder
Audio CM7
The
Wunder Audio CM7 Tube Microphone comes with the original large-style
U47 transformer that was used in the earlier U47's, including
the legendary "Large Badge" U47. These first couple
of hundred U47's are very sought after sonically. The CM7 transformer's
larger size and high nickel content achieves better low end rolling
off at 20 Hz, identical to the original U47 design. |
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Wunder
Audio CM7-GTS (K47 Capsule)
The
Wunder CM7-GTS is the latest evolution of the CM7-GT. The main
difference is that this mic has the "Hard Switched"
cardioid mode that is found in a CM7. This mode produces a smoother
more full bodied sound. At the same time the CM7-GTS still has
the 8 different polar patterns found in the older CM7-GT so it
is like two mics in one! |
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inc VAT
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Wunder
Audio CM7-GTS (M7 Capsule)
The
Wunder CM7-GTS is the latest evolution of the CM7-GT. The main
difference is that this mic has the "Hard Switched"
cardioid mode that is found in a CM7. This mode produces a smoother
more full bodied sound. At the same time the CM7-GTS still has
the 8 different polar patterns found in the older CM7-GT so it
is like two mics in one! |
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inc VAT
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Wunder
Audio CM12
The
Wunder Audio CM12 Tube Microphone is targeted to the professional
with the most demanding criteria. The Wunder CM12 uses the larger
Hiller T14/1 output transformer that was standard in the early
C12 microphones and the hand made capsule is an exact recreation
of the original CK12 capsule. |
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inc VAT
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Wunder
Audio CM12H
The
Wunder Audio CM12H (historical) is a limited edition tube microphone
system that uses the vintage-style power supply with a separate
pattern-selector box and original-style cables. The CM12H uses
the larger Hiller T14/1 output transformer that was standard in
the early C12 and the hand made capsule is an exact recreation
of the original CK12 capsule. |
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inc VAT
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Wunder
Audio CM49
The
Wunder Audio CM49 is a re-manufactured M49 and comes with the
original AC701K tube and M7 capsule. The M49 was the first condenser
microphone capable of remote pattern control, by varying the rear-diaphragm
voltage against the backplate reference, a full range of patterns,
from omni to cardioid to figure-8, was accomplished this way.
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