Audix CX-112

The CX-112 is a true condenser microphone with a contemporary design and excellent performance characteristics. With a rich, full-bodied sound delivered by its one-inch gold sputtered capsule, the CX-112 is a single-patterned cardioid condenser that serves both studio and live performance applications.

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Audix SCX-25

The SCX25 true condenser microphone will reproduce vocals and acoustic instruments with exceptional carity and realism. It is suitable for recording a variety of sounds including pianos, percussion, choirs, orchestras & ambient sounds. Highly Recommended!!

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Avenson Audio STO-2 (Matched Pair)

The STO-2 is a pressure transducer. So are your ears. No Coincidence. Sold in matched pairs, (two ears right?) the STO-2's are perfect for capturing an instruments natural sound without any artificial flattery. With a matched pair, stereo is no problem - Jecklin disk or spaced pair - it will sound like you are standing there.

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Brauner Valvet

Like the Brauner VM1 in 1998, the Valvet microphone won the SSAIRA Awards in 1999, as the best product of its category. The Valvet is switchable between omni and cardioid polar patterns.High resolution of sonic detail, depth and warmth give the Valvet its pristine quality.

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Brauner VM1

The Brauner VM1 is a perfect sounding tube microphone that keeps the spirit of the glorious old tube microphones alive, whilst complying with the high technical standards of modern high-tech microphones in the same way. Tradition and progress join up in this top of the line Brauner product, which won the SSAIRA award in 1998 for the best product in its category. Highly Recommended!

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Brauner VMX

The Brauner VMX encapsulates the full character sound of the VMA in a single microphone. The Brauner VMX yields the highest detail resolution with a soft and silky top end. Slight accentuation of the low mid and bottom end as well as a soft upper mid range grant this reference quality tube microphone a unique sonic character which is full of charm.

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Brauner VMA

The Brauner VMA is two microphones in one. The classic VM1 mode (the sound that made Brauner famous…) and a stunning vintage sound, created after the best of the best famous old vintage tube microphones. The VMA is changed through the position of the switch and the tube as well as the capsule, get biased in a different way.

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DPA IMK4061 Instrument Kit

Designed as a close miking solution for a wide variety of musical instruments including strings & brass. It contains a DPA 4061-BM miniature microphone with XLR adaptor, holders for strings, universal surface mounts, a magnet mount, and foam windscreens.

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DPA 4011 TL

The DPA 4011 is a cardioid condenser microphone with a linear frequency response from 40Hz to 20kHz (±2dB) and a totally flat off-axis response. Highly Recommended!

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DPA 4006 TL

The DPA 4006TL omni directional condenser microphone has an extremely linear frequency response, high sensitivity, low noise-floor and an extended low frequency handling capability. Highly Recommended!

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DPA 4090

The DPA 4090 is a omnidirectional condenser microphone of the highest quality. Due to its uniquely natural and open sound, the 4090 is suitable for instrument miking applications in both the studio or on the stage.

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DPA 4091

The DPA 4091 is very similar to 4090 but has a lower sensitivity making it the better choice for recording instruments that produce higher sound pressure levels.

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Earthworks M30 (Single)

The Earthworks M30 is a omni directional microphone that records from 5Hz to 30 kHz +1/-3dB. The M30 is a very cost effective reference microphone and delivers a very clean sound with a fast impulse response.

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Earthworks QTC30 (Single)

The QTC30 has a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications.

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Earthworks QTC40 (Single)

The Quiet Time Coherent QTC40 has been called “the most accurate recording microphone available.” For classical location recording a matched pair will provide spectacular results. Highly Recommended!!

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Earthworks QTC50 (Single)

The QTC50 has all of the exceptional attributes of the Earthworks QTC1 (same as QTC40). The QTC50 has an extended high frequency response to 50kHz and better impulse response. This is for the purist who wants something better than a QTC40. Highly Recommended!!

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Earthworks SR30/HC (Single)

The SR30 HC (same as SR78) offers exceptional directional performance for guitar, sax, flute, drums, bass, and vocals. It can pick an acoustic instrument, like a guitar, out of an ensemble while still sounding detailed.

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Earthworks QTC30 MP (Matched Pair)

The QTC30 has a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications.

£ inc VAT

Earthworks QTC40 MP (Matched Pair)

The Quiet Time Coherent QTC40 has been called “the most accurate recording microphone available.” For classical location recording a matched pair will provide spectacular results. Highly Recommended!!

£ inc VAT

Earthworks QTC50 MP (Matched Pair)

The QTC50 has all of the exceptional attributes of the Earthworks QTC1 (same as QTC40). The QTC50 has an extended high frequency response to 50kHz and better impulse response. This is for the purist who wants something better than a QTC40.

£ inc VAT

Earthworks SR30/HC MP (Matched Pair)

The SR30 HC (same as SR78) offers exceptional directional performance for guitar, sax, flute, drums, bass, and vocals. It can pick an acoustic instrument, like a guitar, out of an ensemble while still sounding detailed.

£ inc VAT

Earthworks DK25/L

The DK25/L is for "Live Performance" and has three SR25s: two for overheads and one for kick drum; a KickPad™ and a windscreen. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and less susceptibility to acoustic feedback. Both versions come in a solid wood carrying case.

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Earthworks DK25/R

This microphone kit has been designed for recording applications. The TC25 omni has a frequency response of 9Hz to 25kHz and the SR25 cardioid response is 50Hz to 25kHz. Both models will handle up to 145dB SPL. These DrumKit™ microphones will also provide stunning results on a wide variety of instruments and vocals.

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Manley Reference

The Reference Cardioid Microphone shares the same electronic attributes as the Gold Reference Series, but has a cardioid-only capsule with a thicker gauge. The Reference Cardioid closely recalls how many vintage mics like the U47 sounded like when they were new.

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Manley Gold Reference

The Gold Reference microphone is made using micro-milling machinery. The capsule rings and back-plates are milled from solid brass. The gold diaphragm film is tensioned using proprietary techniques by David Josephson ensuring capsule-to-capsule constancy.

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Manley Gold Reference Stereo

The STEREO version of the Manley GOLD REFERENCE microphone is identical to the MONO GOLD REFERENCE but with the upper capsule being fixed and the lower capsule being continuously ROTATABLE through 90° for M-S and X-Y BLUMLEIN-STYLE coincident pair recording techniques.

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Microtech Gefell M 990

The M990 is a cardioid condenser microphone with high sensitivity and an excellent signal-to-noise ratio. It combines a large diaphragm capsule technology with the typical warm sound of classic tube microphones.

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Microtech Gefell M 92.1 S

The M92.1 S is a cardiod condenser valve microphone that exhibits high sensitivity and with that an excellent signal-to-noise ratio. lt has the warm full sound of tube microphones which is preferred by singers & engineers.

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Microtech Gefell UM 92.1 S

The UM92.1 S valve condenser microphone has 3 switchable pollar patterns: omni, cardioid and fig-8. This microphone features the clasic M 7 capsule which is renowned for its superior sound quality & low self noise.

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Microtech Gefell UM 900

The UM900 is a switchable pattern, valve condenser microphone that produces the highest quality ressults. The unusual shape is especially designed to minimize undesirable reflections, the integrated elastic suspension can also be swiveled 135 degrees both sides.

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Microtech Gefell M300

The Microtech Gefell M300 is an exciting new microphone that combines the natural sound and detail of a gold evaporated 16mm diaphragm with ‘space-age’ advancements in mechanical and circuit design.

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Microtech Gefell M300 - Matched Pair

The Microtech Gefell M300 is an exciting new microphone that combines the natural sound and detail of a gold evaporated 16mm diaphragm with ‘space-age’ advancements in mechanical and circuit design.

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Neumann M 147

The M147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 & M 49.

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Neumann M 149

The M149 Tube is a variable dual-diaphragm microphone. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long cables without any coloration.

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Neumann M150

Since the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and directional characteristics.

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Neumann TLM 103

The TLM103 is a large diaphragm microphone that has a cardioid polar pattern. This design is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. A very good choice for the discerning engineer requires high quality on a low budget.

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Neumann TLM 193

The TLM193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio.

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Neumann TLM67

The Neumann TLM 67 is a large-diaphragm condenser microphone in the classic Neumann nickel style, with a unique dual-color design. The Neumann TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone

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Neumann U87

The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

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Neumann U89 i

The U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance.

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Neumann USM 69 i

The USM 69 i stereo microphone has two separate dual-diaphragm capsules. . The directional polar patterns can be selected separately for each capsule. The capsules operate independently from each other. One of the best stereo microphones available on the market.

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Neumann KM183

The Neumann KM 183 is a small diaphram omni directional microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

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Neumann KM184

The Neumann KM 184 is a small diaphram cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

£ inc VAT

Neumann KM183 (Matched Pair)

The Neumann KM 183 is a small diaphram omni directional microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

£ inc VAT

Neumann KM184 (Matched Pair)

The Neumann KM 184 is a small diaphram cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

£ inc VAT

Wunder Audio CM7-FET

The Wunder CM7-FET is a faithfull recreation of the much sought after phantom powered version of the original U47 known as the U47 Fet, which has over the years obtained legendary status amongst recording engineers since its original release in 1969.

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Wunder Audio CM7

The Wunder CM7 is a recreation of the early Telefunken U47 Tube Microphones. The Wunder CM7 is also the only U47 recreation in existence using the original large transformer found in the earlier models, including the legendary "Large Badge" U47. This transformer allows for a 20Hz low frequency roll off, instead of the 40Hz roll off found in the later U47's.

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Wunder Audio CM7-GT (K47)

The Wunder CM7-GT uses a NOS Telefunken glass tube, which replaced the VF14/EF14 in 1960-1979. The CM7-GT has 9 patterns selectable from the PSU. The CM7-GT Circuit is basically the same as the CM7 with extra circuitry added to achieve the remote pattern changing. Available with a choice of K47 capsule or the Berlin M7 capsule as used in the CM7.

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Wunder Audio CM7-GT (M7)

The Wunder CM7-GT uses a NOS Telefunken glass tube, which replaced the VF14/EF14 in 1960-1979. The CM7-GT has 9 patterns selectable from the PSU. The CM7-GT Circuit is basically the same as the CM7 with extra circuitry added to achieve the remote pattern changing. Available with a choice of K47 capsule or the Berlin M7 capsule as used in the CM7.

£ inc VAT

Wunder Audio CM12

The Wunder Audio CM12 Tube Microphone is targeted to the professional with the most demanding criteria. The Wunder CM12 uses the larger Hiller T14/1 output transformer that was standard in the early C12 microphones and the hand made capsule is an exact recreation of the original CK12 capsule.

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Wunder Audio CM12H

The Wunder Audio CM12H (historical) is a limited edition tube microphone system that uses the vintage-style power supply with a separate pattern-selector box and original-style cables. The CM12H uses the larger Hiller T14/1 output transformer that was standard in the early C12 and the hand made capsule is an exact recreation of the original CK12 capsule.

£ inc VAT

Wunder Audio CM49

The Wunder Audio CM49 is a re-manufactured M49 and comes with the original AC701K tube and M7 capsule. The M49 was the first condenser microphone capable of remote pattern control, by varying the rear-diaphragm voltage against the backplate reference, a full range of patterns, from omni to cardioid to figure-8, was accomplished this way.

£ inc VAT