A-Designs P1

The P-1 is inspired by the highly successful Pacifica microphone pre-amplifier. Features include: Pad, phase reverse, 48v phantom power, ¼" direct inject "High Z" for instruments, LED indicator, aluminum cast knob, and custom wound input & output transformers.

£ inc VAT

A-Designs EM-Blue

The EM-Blue with its high nickel wound output transformer will produce a much brighter tone, with an airy top end. This module is perfect to use with darker sounding microphones or on instruments like snare drums, guitars, etc. that benefit from a crisp sound.

A-Designs EM-Red

The EM-Red has a custom wound INPUT transformer and the same output transformer as the P-1, which produces a somewhat different sonic character by bringing the "mid levels" forward in a recording.

A-Designs EM-Silver

The EM-Silver has the same features as the P-1 except for the custom wound steel output transformer. This unit will take you back to earlier times, when ribbon microphones and steel transformers were the standard.

£ inc VAT

A-Designs EM-PEQ

The A-Designs EM-PEQ is a 500 Series Passive EQ Module inspired by the Pultec EQP-1A. Makeup amplification is achieved using the same discrete solid state Class AB amplifier found in the A-Designs Pacifica mic pre, putting a slightly unique twist on the classic design of yester year.

£ inc VAT

Al.So M2B

The Al.So M2B is a summing module with 4 stereo inputs to one stereo maste. The M2B has Mute controls for each stereo pair, Up to 6dB gain for the master out. Odd inputs are routed to the left output and even inputs to the right. Pan are made into your DAW and all the automations are still valid.

£TBA

Al.So M26

The Al.So M26 is a 26 x 2 Summing Module (Designed to work in standard 500 series racks) Including insertions paths. The M26 allows for seperate drum bus compression and mix bus compression, Main mix insertion and output level control, and Sigme Bus trim in order to have the best level and avoid mix amp saturation when inputs are high level and correlated.

£ inc VAT

Al.So MDI2

The Al.So MDI2 is a Dual Channel DI that only takes up one slot! The MDI2 features High Impedance Instrument input to line level outpu and a Link ouput to mirror the Hi Z input.

£ inc VAT

Al.So MP1

The Al.So MP1 is a single channel mic preamp featuring Sowter Input Transformers. The MP1 has up to 60dB of clean low distortion gain and can also be used as a line preamp.

£ inc VAT

Al.So MP2

The Al.So MP2 is a two channel mic preamp (with Sowter Input Transformers) that fits into only one slot! The MP2 has up to 60dB of clean low distortion gain per channel and can also be used as a line preamp.

£ inc VAT

AnaMod Audio AM660

The AnaMod AM660 is a recreation of the classic sound and compression profile of the Fairchild 660, using the AnaMod process to model the complex tube circuitry of the 660 and implement it entirely in the analog domain. Unlike a digital plug-in or processor based outboard gear, there is no latency, and no A/D or D/A conversions to compromise the sound.

£ inc VAT

API 512C

The API 512C is a mic/line/instrument preamp designed to provide an unusually good sounding front end for all types of audio systems. Offering low noise (-129 EIN) and 65 dB of gain, the 512C includes phantom power, switchable polarity, and -20 dB pad.

£ inc VAT

API 525

The API 525 is a "feedback" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional "Ceiling" fine tune function modifies threshold and make-up gain for precise changes in compression without any changes in output.

£ inc VAT

API 527

The 527 Compressor/Limiter features comprehensive controls including variable attack, release, ratio, and output gain controls. The unit also includes API's 'Thrust' circuit, first offered on the API 2500 Bus Compressor. A 10 segment LED meter is switchable between gain reduction and output level.

£ inc VAT

API 550A

The API 550A is a three band equalizer with hi & low shelving. Designed by the now legendary Saul Walker, the discrete 550A was first used as a modular OEM equalizer however it quickly became an instant hit and found it's way into many custom console designs.

£ inc VAT

API 550b

The API 550 4 Band EQ was originally conceived for use in API's large studio mixing consoles, this latest 550 "B" version is a continuation of the original which was first designed in 1967. This newer version provides an additional filter band and several new frequencies.

£ inc VAT

API 560

Originally conceived for use in API Consoles of the 60's and 70's, the API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. It delivers that "one-of-a-kind" sound, precision easy set filtering, and high headroom in a small package.

£ inc VAT

API 500-6B Lunchbox

The API Model 500-6B Lunchbox is a six position rack designed to accept API standard 5.25" X 1.5" modules. The Lunchbox comes standard with a +48 volt internal phantom power supply, bussed to pin 15 for interface with the API 512C. The input /output jacks are XLR.

API Model 500VPR

The API Model 500VPR is a ten possition rack that is powered externally by a tri-polar power supply and is designed to accepts API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS, and XLR I/O's.

Arsenal Audio V14

The Arsenal V14 is a high quality; single channel 4-Band Equalizer designed for the popular API 500 Series format. The Arsenal V14 EQ features continuously variable adjustment of frequency and gain on dual concentric pots, with an eq in/out switch.

£ inc VAT

Avedis MA5

The Avedis MA5 was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British Class-A consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics.

Burgin McDaniel Komit

The Burgin McDaniel Komit is a compressor that also has an independant Peak Limiter built in to help smooth out any unwanted peaks. The Komet also features: Post–limiter, auto–gain makeup, Feed-forward design for automatic detection, 3 auto presets for fast setup, Balanced and floating transformer I/O.

£ inc VAT

Burl B1

The Burl B1 MicPre & DI has a class-A, direct coupled, capacitor free circuit path, and features the proprietary Burl BX3 input transformer and BX2 Nickel output transformer, the B1 Mic Pre delivers warmth with depth and clarity and comes highly recomended.

£ inc VAT

Burl B1D

The Burl B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a different "more terrifying rock" tone.

£ inc VAT

Chandler Little Devil Compressor

The Chandler Little Devil Compressor is a FET COMPRESSOR using concepts from both the Chandler Germanium Comp and the Neve 2264 Comp.

£ inc VAT

Chandler Little Devil Equaliser

The Chandler Little Devil Equaliser is an English-style console EQ similar to the infamous Neve 1081 and 33115 vintage units.

£ inc VAT

DAV BG501

The DAV BG501 is the 500 Series version of the popular DAV Broadhurst Gardens BG1 MicPreamp. The BG501 includes a front panel mounted DI input, and offers very clean, neutral performance at an unbelievable price point.

£ inc VAT

Electrodyne 501

The Electrodyne 501 is a two stage discrete transistor, transformer coupled preamp with active DI, using classic (1969? / 1970?) design technology. Each amp stage is individually optimized for peak performance using Electrodyne factory engineering notes and selected high performance components identical to the originals.

£ inc VAT

Electrodyne 511

The Electrodyne 511 is a classic two-band discrete transistor reciprocal active inductor equalizer using (1969? / 1970?) design technology. The custom inductors and output transformer are made by Electrodyne's original maker, to strict factory manufacturing tolerances as small as 2%.

£ inc VAT

Elysia Xpressor 500

The Elysia Xpressor 500 is an extremely versatile stereo compressor available in the 500 series format. With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.

£ inc VAT

Empirical Labs DerrEsser

The DerrEsser is a multi function dynamic filtering device. In its basic "DS" mode, the DerrEsser is an effective, level insensitive de-esser. The DerrEsser can also use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner.

£ inc VAT

Empirical Labs EL500

The El500 is a two slot Horizontal Rack for Housing API 500 Series Modules. The EL500 also boasts a unique Flush Mount for durability & looks.

£ inc VAT

Grace Designs m501

The Grace Designs m501, is the 500 series module version of the venerable Grace m101 mic preamplifier. Now the signature transparency and detail of our circuit designs is available for your 500 series frame.

£ inc VAT

Great River Harrison 32EQ

Harrison Consoles and Great River Electronics are proud to announce a new product collaboration, the 32EQ. The 32EQ is a new 500-series form-factor design of the EQ and filters from the renowned Harrison 32 Series consoles.

£ inc VAT

Great River MP-500NV

The Great River MP-500NV uses the same audio and metering circuit board found in the rackmountable NV series preamplifiers. This unit is designed to fit into any '500' series rack using 2 available slots.

£ inc VAT

Helios 500 - Type 69

The Helios Type 69 Microphone Preamplifier and EQ as used by Dick Sweetenham at Olympic studios in the 1960's. This famous Pre/Eq combo is now available in the 500 Series format and has been very carefully designed to faithfully recreate the classic sound of those original Helios Type 69 Modules.

£ inc VAT

Little Labs VOG

The Little Labs VOG was originally designed to capture the chest resonance of vocalist, enabling them to still have a proximity effect without having to be so close to the mic—hence the name, VOG, or 'Voice of God'. However, when the manufacturer heard it on kick drum and bass, it became clear this would be the “go to” device to make these instruments sound huge.

£ inc VAT

Pendulum Audio OCL500

The Pendulum OCL-500 has the same compression circuit as the Pendulum OCL-2, but uses a transformerless class A solid-state gain makeup circuit in place of the tube stage. The result is clean, transparent compression that can be used to shape the dynamics of any source while preserving its tone.

£ inc VAT

Petes Place BAC500

Designed by Brad Avenson of Avenson Audio, the BAC—short for Brad Avenson Compressor—is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. The BAC 500 features similar controls found on an 1176 with an additional distortion switch.

£ inc VAT

Purple Audio Action Fet

The Action Fet is an 1176 style compressor module compatible with 500 Series racks. The Action Fet shares many of the components found the MC77, including the input attenuator, and gain reduction FET. The ratios are the same, including all buttons in. The main difference is in the attack and release times which cover a broader range than the MC77.

£ inc VAT

Purple Audio Biz

The Biz is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard "500" racks. The Biz also has a 'Dual' switch that splits the gain between two of the Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.

£ inc VAT

Purple Audio Pants

Pants is the latest 500 Series MicPre from Purple Audio that is designed using four custom made discrete opamps. With different Gain and Level settings the Pants can produce many different tones with the same amount of output level. The front panel DI goes through a FET buffer into the input transformer, adding an extra dimension to the sound of the preamp.

£ inc VAT

Purple Audio Cans

The Purple Audio Cans is a very high quality stereo headphone amplifier and control room preamplifier. The Purple Audio Cans is built using their discrete opamps however for easy serviceability and tweaking, the Purple discrete opamps can be replaced with any standard discrete opamp or a DIP-8 IC.

£ inc VAT

Purple Audio LILPEQr

The LILPEQr is a solid-state program EQ that emulates vintage valve EQs like the Lang PEQ-1 and the Klangfilm RZ062. It offers high and low frequency shelving bands, each with three carefully selected corner frequencies to choose from, and can be switched between passive, or class A buffered input which changes the response ever so slightly, making the signal seem a bit tighter and more focused.

£ inc VAT

Purple Audio Odd Inductor EQ

Odd is a four-band 500 Series EQ inspired by the classic "swinging inputs" console. Each band has two switchable frequencies that have been carefully shaped to be musical, even at full boost or cut. The high band can be switched from bell to shelf, to boost frequencies beyond 20kHz. The low band can be switched from bell to shelf, reaching down to the subsonic range.

£ inc VAT

Purple Audio TAV Graphic EQ

The TAV is a ten band graphic EQ that uses a high quality inductors and carefully selected caps to set the center frequencies for every band. At full boost and full cut the bands have a narrower Q, but at lower settings the bands widen out for more gentle shaping. Even at full boost and cut, the filters are shaped to be musical and useful.

£ inc VAT

Purple Audio Moiyn

The Moiyn 8x2 summing mixer is only compatible with the Purple Audio Sweet Ten Rack. Installed into slot 9 of the Sweet Ten, slots 1 through 8 automatically become input modules to the Moiyn so you can still take the slot 1 through 8 output XLRs to your DAW or tape machine. This system is also expandable allowing for multiple units to be cascaded together.

£ inc VAT

Purple Audio Sweet Ten 500 Series Rack

The Purple Audio Sweet Ten is a very well made, yet affordable 10 slot rack for housing 500 series modules. The Sweet Ten uses a silent magnetically shielded linear power supply that can switch between 115/230 volts. All inputs and outputs are on lockable balanced XLR connections at the rear of the unit.

£ inc VAT

Vintech Audio VA 573

The Vintech Audio VA573 is a class A, all discrete, transformer balanced microphone preamplifier. It is based on the classic Neve 1073 module. The 573 also features an all new discrete high impedance D.I. that goes through the input transformer. The unit is also capable of accepting line level sources via a switch on the front panel.

£ inc VAT